Tuesday, 24 April 2018

Study Task 5 - Essay Structure

Possible essay structure: 'Why was collage such a successful mode of subversion throughout the 20th century?'

  • Introduction to collage, brief history and explain the debate.
  • Background information on collage - its history within subversion.
  • What makes it a subversive medium? - question revealed
  • Different areas of coverage - Dada, Surrealism, Punk...etc

  • Dada
  • Surrealism 
  • Punk
  • Advertising
  • Parody/Pastiche  

  • Summary of debate, subversive because of its destructiveness (e.g.) 
  • Wider implications - can collage ever be used as a tool by the institution?

Study Task 3 - Parody and Pastiche

Textual analysis of Linda Hutcheon and Frederic Jameson's work on parody and pastiche. Referencing this could be relevant for my essay, as often collages are reinterpretations of already established work.

Pastiche is often 'random stylistic allusions' according to Jameson (1991, p18). However, Hutcheon disagrees and states that 'there is absolutely nothing random or “without principle” in parodic recall and re-examination of the past' (1986, p186). She suggests that if something is pastiche, like collage, it can still be considered and principled. In fact, Hutcheon has also said that 'to include irony and play is never necessarily to exclude seriousness and purpose to postmodernist art.' Which could be why collage lends itself so perfectly to subversion, as despite its often playful nature, it still has the potential to make serious political commentary.


Introduction to Research Lecture

Study Task 2: Male Gaze Theory

Textual analysis of Laura Mulvey's report on Visual Pleasure and Narrative Cinema.


Dyer, R. (1979) Stars.


Storey, J (2001) Cultural thoery and popular culture.

Monday, 23 April 2018

Scans of Punk Culture - Not Taken Forward

Brief research into youth culture and its relevance for the punk movement.

Digital Culture: Production, Distribution, Function and Audience Tutorial

Digital Culture: Social phenomena of interrelated online and offline activities, experiences and innovations.'

We shape our tools and our tools shape us' - Marshall Mcluhan, design philosopher. This is what technology is evolving to today, as it shapes everything we do. The beginning of this has been pinpointed to 1990 - the globalisation of digital production really began with the first mac. Some even suggest that the digital revolution is more important than writing and print in current society.

Broadband is a human right, it has become a fundamental and integral part of our society. Although in some ways technology and the access to internet effects our lives in different ways and we have varied dependence on it. There are many different ways to interact with this new digital culture.

The main components:
  • Participants - the connections/networks.
  • Remediation - New technology and media that is a remix of the old forms to create new solutions. For example new record players involve current technology.
  • Bricolage - Construction and recreation from materials from lots of different sources. 
Fanzines and Punk Culture:

During the 70s and 80s there was a new step away from the conventional style of mass production publications and fanzines were key for the DIY era. There was a big sense of bricolage within this, as it was a form of remaking the old, with cheap photocopying, handwriting and distribution for free.

Bricolage is also present in social media and it has now become a culture of follows, likes, comments, fans and re-tweets. This has become a key part of our communication and realisation of current events. E.g. the 2016 election.This creates connection yet it also attributes to an alienation in global culture. In among this culture of knowledge and 'stuff' it can bombard individuals, overwhelming them without order or systematisation. It becomes real time dialogue with millions of people.

One positive of this is that we no longer have to spend as much money on the production of physical design outcomes, instead digital cultures allows the information to be sent anywhere in the world. Possibly making it more about communication and less about commerce.

Technology is also being used in education/information/training/medicine and is becoming an essential part to our social culture. Graphic design will be essential within this in the future. This is also playing a key role for the development of small children and their development. In fact, this has caused technology to impact our imagination and how we see our reality.

Despite this, it is still argued that technology needs to be seen as a tool for us and we shouldn't leave behind the human aspects of ourselves. Parents are beginning to actively limit technology in favour of having more physical interaction with their kids. They are 'kicking against' the tech age that kids are so submerged in at the moment.

Study Task 1: Defining the Question

For my essay there has been much research into Punk as a concept and how this relates to today's society. The issue with the current research is that the topic has much coverage, different definitions and different aspects that could be explored; it is hard to find a specific topic to discuss.

Possible Questions
  • Is Punk design dead? And how has it influenced modern society.
  • What is Punk? (different definitions, could be too broad)
  • What role does the Punk movement play with youth culture?
  • What did Punk achieve?
  • How Punk zines have developed and their culture. 
  • How have Punk zines influenced today's publishing?
  • How protest work can be linked to the Punk movement.
  • DIY design and how it was influenced by Punk.
  • How has Punk influenced art and how does it link to art movements, e.g. Dada.
  • How Dada and Punk compare as movements? (could work or are they too dissimilar, Dada more about freestyle? Design as a form of dissent...
After doing certain research and discussion into the comparison of Dada and punk, I have decided to make the analysis about collage as a method of subversion throughout design history.

How has the method of collage has been used as a form of dissent throughout 20th Century design?